I was interested in applying what I had learned about the subtle application of charcoal to landscape drawing. When I used the image on my phone as a reference, I realized that there was a limitation on how much detail I could see in the image. The small format of the reference image limited the amount of detail I had for the small drawing. This reduction of detail reminded me of the American landscape movement that was popular at the end of the 19th century called tonelism. The tonelists had a set of limitations on there approach to landscape painting: reduced detail, limited palette and a focus on the mood of the environment. Paintings like Whistler’s Nocturne series came out of this tonelist approach. While doing the figurative drawings, I embraced the challenge of using limited information and this became one of the dynamics that I enjoyed about the process. Creating realism from efficient mark making.